All over and back again!

Hello Friends, I hope you are doing well!  Can you believe we are already in April?  It’s been a hectic year for me, but it’s been a productive one so far.

I was in CA late January and taught 5 classes on domestic machine and feather quilting at Road to CA quilt show.  I made really sweet friends -and want to thank everyone who took my classes.

I also did an Aurifilosophy presentation close to home to chat about all things-Aurifil!  Please feel free to contact me if you would like me to speak to your group about why Aurifil is my thread of choice.  The fact is, I have exclusively used Aurifil threads since 2006.  You may find out more information here.  Here is a picture of me an the other Aurifilosophers from Market at Houston last year.

Two weeks ago, I taught at Piecemakers Quilt Guild in Cumming, GA.  We had a great 2-days working on domestic machine quilting techniques!

We worked on this fun squirrel project solely with threads after we learned the basics of domestic machine quilting.

***I will be teaching again at Quilters Hall of Fame in July!  I hope I will see you there.  Click here for more information. 

***Feel free to contact me as well if you are interested to have me come teach at your shop/guild.

Other bits of fun news… you might have seen this sailboat quilt on the cover of Keepsake Quilting Spring 2019 catalog!

Many of you have written to ask if you could just purchase the pattern.  Unfortunately, the answer is no.  This is an exclusive collaborations I did with Windham Fabrics and Keepsake Quilting.  Exclusive collaborations are a big part of how I make my living.

And as I pull back from magazine work — that means you will see less of my work in magazines this year– I am working to bring my designs and patterns directly to you!  Here is a sneak peak of one of the patterns.

Meanwhile, Miss Baby turned 10, and she is keeping herself and me very busy!  This is her latest completed needle and thread project.  Follow me on Instagram (ivory_spring) for more scoop on Miss Baby’s fiber adventures.

Did I mention to you Miss Baby and I are co-authoring a mother/daughter quilting book?  Yes, we are!  She is VERY excited that she is going to be an author!

Also, some of you have been patiently waiting for my Song of Williamsburg thread collection to ship to stores.  The collection debuted at Fall Market last year in Houston.

This is a collection of Aurifil’s 80 wt that you CAN use to quilt on your domestic machine.  It is cotton, but the threads feel like they are silk.  I have curated the collection to include versatile colors for domestic machine quilting as well as hand applique!

This bird motif will be available as a FREE PATTERN soon — subscribe to Aurifil’s newsletter here for the announcement on the pattern.  This bird motif is inspired by an old bird bottle design excavated in Colonial Williamsburg.

You can now purchase this thread collection at 20% off for $39.99 HERE.

Speaking of hand applique, I have been doing a little of that as well!

That’s it from me this time, Dear Friends.  I am making a point to not be stranger on my own blog!  Do let me know what you’ve been up to!  Take care, till next time.

Joint Venture with Karen Miller: Mystery Quilt Along – Part 11

HELLO Friends!  I hope you have been well.  In case you haven’t kept track, today is the 96th day of the year!  I know because I have posted 96 quilts on Instagram for my A Quilt A Day series!  I just posted the 96th quilt.  If you haven’t checked out my feed on Instagram, look me up there at ivory_spring, or just do a search on my name “Wendy Sheppard”.

Jan 7: Announcement post
Jan 21:  Planning, basting, batting, etc
Jan 28:  Stabilization quilting or just to catch up
Feb 4, Feb 11: Inside center panel
Feb 25: Top and Bottom Rectangles
March 4: Top and Bottom Squares
March 11: Left and Right Side panels
Mach 18: Narrow Sashing
April 1: Outside (wider) Border
**April 8: Binding & Hanging

MAKE SURE YOU READ THROUGH THE END FOR GIVEAWAY INFORMATION!

We are at ROUND 11 and our last round today!  It’s been so fun to quilt along with my dear friend, Karen, and YOU.  I hope you have had an enjoyable time exploring the ins and outs of domestic machine quilting.

My main take away, besides enjoying machine quilting on my machine, has been the time I made to keep in touch with Karen!  Karen is a busy lady — she does a lot as far as educating machine quilters.  So, it’s been a blessing to chat/text with her about our quilt-along!  SO — as you can see, just grab a friend or two, local or by proxy  — and you will have a fun common project to work on to improve your machine quilting skills, as well as keeping in touch with friends!

***

In the event of you might still be gathering your supplies, don’t worry! That’s okay — jump in when you are able to. Click HERE where Karen keeps a list of shops where you can purchase the supplies.

2019c

I have heard positive responses from many regarding my book.  THANK YOU!

You may order my book from:

Connecting Threads

Fox Chapel Publishing

Amazon

or email me for signed copies!

I will be using Aurifli 50 wt threads from my Subtle Strings collection.  You may read more about the collection here, and here.  You may order your collection here for $99.99 (regularly selling for $140)!  DO TAKE ADVANTAGE OF THIS GREAT PRICE!

Meanwhile, you may also order the collection HERE and HERE.

My Subtle Strings colors 50wt threads that are specially selected to achieve a subtle contrast effect in the quilting.  That is to say, we get to quilt with pretty colors on our quilts, but the colors aren’t really visible from afar and are not competing with the overall look of the quilt, until one looks at the quilting close up.  These colors are also perfect for piecing, machine or hand applique — definitely my go-to!  Why limit yourself to using only beige and light brown, or white?!  LIFE’S TOO SHORT!

subtle1-1

subtle2

Today, we are finishing up our quilt by attaching a hanging sleeve and the binding! 

If you remember, we left off with this last week — with a wonky quilted quilt because it’s been handled in various ways during the quilting process.

What I normally do is to lay the quilt down on a tile floor, spritz the quilt damp with just water from a spray bottle.  Pat down the bumps on the quilt, and let the quilt dry overnight at least.  You might have to tug the quilt a bit sometimes to make sure the quilt lays down flat when being dampened.  By the time it’s dry, the quilt should be flat!

THEN I square up my quilt using my 12 /12″ x 12 1/2″ ruler.  Some of you have the 20″ x 20″ — that’s even better.  Here you can see that I have squared up a corner of my quilt.

Once squared up, I zig zag to finish the raw trimmed edge of my quilt before attaching the binding and hanging sleeve.  Finishing the raw edge helps me achieve a “flat” effect after the binding is attached, and crisp corners.

I handstitch my binding down — with a John James #7 long darner and Aurifil 28wt thread.  I like the strength of the heavier weight of 28wt for binding.

Here I have quilt, bound and everything!  See the crisp corners?

Friends, this has been SEW MUCH FUN!

The textures from machine quilting never ceases to dazzle!

AND NOW ABOUT THE GIVEAWAY:

Karen and I have some fun giveaways for those of you who complete your quilt!  Email either of us pictures of your completed quilt between now and 4/26.  And on 4/29, we will announce winners!  The goodies will be GOOD!  You won’t want to miss out.  

And with that, let’s go visit Karen — click HERE to go to Karen’s blog!

Have a great week, Dear Friends!

Joint Venture with Karen Miller: Mystery Quilt Along – Part 10

HELLO Friends!  I hope you have been well.  In case you haven’t kept track, today is the 89th day of the year!  I know because I have posted 89 quilts on Instagram for my A Quilt A Day series!  I just posted the 89th quilt.  If you haven’t checked out my feed on Instagram, look me up there at ivory_spring, or just do a search on my name “Wendy Sheppard”.

Jan 7: Announcement post
Jan 21:  Planning, basting, batting, etc
Jan 28:  Stabilization quilting or just to catch up
Feb 4, Feb 11: Inside center panel
Feb 25: Top and Bottom Rectangles
March 4: Top and Bottom Squares
March 11: Left and Right Side panels
Mach 18: Narrow Sashing
***April 1: Outside (wider) Border
April 8: Binding & Hanging

We are at ROUND 10 today!  It’s been so fun to quilt along with my dear friend, Karen, and YOU.  I hope you have had an enjoyable time exploring the ins and outs of domestic machine quilting.  I was just teaching at the Piecemakers Quilt Guild at Cumming, GA, and brought my QAL sample — and so many ladies loved the concept, as well as the panel to practice on their domestic machine quilting skills.

***

In the event of you might still be gathering your supplies, don’t worry! That’s okay — jump in when you are able to. Click HERE where Karen keeps a list of shops where you can purchase the supplies.

2019c

I have heard positive responses from many regarding my book.  THANK YOU!

You may order my book from:

Connecting Threads

Fox Chapel Publishing

Amazon

or email me for signed copies!

I will be using Aurifli 50 wt threads from my Subtle Strings collection.  You may read more about the collection here, and here.  You may order your collection here for $99.99 (regularly selling for $140)!  DO TAKE ADVANTAGE OF THIS GREAT PRICE!

Meanwhile, you may also order the collection HERE and HERE.

My Subtle Strings colors 50wt threads that are specially selected to achieve a subtle contrast effect in the quilting.  That is to say, we get to quilt with pretty colors on our quilts, but the colors aren’t really visible from afar and are not competing with the overall look of the quilt, until one looks at the quilting close up.  These colors are also perfect for piecing, machine or hand applique — definitely my go-to!  Why limit yourself to using only beige and light brown, or white?!  LIFE’S TOO SHORT!

subtle1-1

subtle2

Today we are focusing on the last part of the actual domestic machine quilting on our quilt — the outer border.  

If you remember from the planning phase, I had marked the word BAA… on the outer border.

Now it’s time to quilt those words, and add background quilting after the words are quilted!  Again, I am using colors from my Subtle Strings to quilt.  These subtle colors work so well in just about any setting for domestic machine quilting.  This is the yellow from the collection, and I would like to draw your attention to the letter I quilted.

Friends, I quilted around the letter “A” EIGHT times without any thread buildup!!!  I have done that with the Aurifil 80wt, but this is my first time doing it with the 50wt from my Subtle Strings collection.  I am more than thrilled with the result. 

Quilting the letters multiple times help them to stand out in the final look.  So, if you haven’t tried to stitch around shapes multiple times, try it out — with Aurifil’s 50wt!

And here is the pink!  Same thing, quilted around 8 times.

Now, I didn’t start and stop with each letter.  I just filled in the background quilting moving from letter to letter.  After I quilted the word BAA, I worked to finish up the background quilting in the section which BAA was in.  

I marked 4 BAAs on the outer border.  I used 4 different colors for each BAA section.

I want to show you the background quilting between the letters.  I used a mix of the nifty little Ss, pebbles as well as feathers to fill in the background.  They were all quilted off the seat of my pants, totally random, and just according to what I felt like quilting at the time I did them.

And we will just go around the quilt see how the different sections are quilted.

And there you have it!!!

It’s about texture, and how the light reflects on it!

I tell my students not to be bogged down by the instantaneous “imperfections” while they are quilting.  I always notice myself as I am quilting certain stitches aren’t quite they should be.  However, if I leave the piece alone for 2-3 days, and come back to look at the piece, those instantaneous imperfections just magically disappear!  I don’t see them anymore!!

Now, you will notice that your piece is wavy and wonky after the border is quilted…. totally normal!  Next week, I will share with you how I deal with this situation.

Alrightie, Friends — off to machine quilting you go!  Now, let’s see what Karen has to share with us.  I know it will be something good…  Click HERE to go to Karen’s blog.  Happy Quilting!  See you next week for our last installment.

Joint Venture with Karen Miller: Mystery Quilt Along – Part 9

Jan 7: Announcement post
Jan 21:  Planning, basting, batting, etc
Jan 28:  Stabilization quilting or just to catch up
Feb 4, Feb 11: Inside center panel
Feb 25: Top and Bottom Rectangles
March 4: Top and Bottom Squares
March 11: Left and Right Side panels
Mach 18: Narrow Sashing
April 1: Outside (wider) Border
April 8: Binding & Hanging

***

Happy Monday, and Happy Week, Friends!  It’s time to catch up work on some domestic machine quilting again!  I cant’ believe we are at Round 9!

***

In the event of you might still be gathering your supplies, don’t worry! That’s okay — jump in when you are able to. Click HERE where Karen keeps a list of shops where you can purchase the supplies.

2019c

I have heard positive responses from many regarding my book.  THANK YOU!

You may order my book from:

Connecting Threads

Fox Chapel Publishing

Amazon

or email me for signed copies!

I will be using Aurifli 50 wt threads from my Subtle Strings collection.  You may read more about the collection here, and here.  You may order your collection here for $99.99 (regularly selling for $140)!  The collection is IN STOCK again as of this morning!!!

Meanwhile, you may also order the collection HERE and HERE.

My Subtle Strings colors are specially selected to achieve a subtle contrast effect in the quilting.  That is to say, we get to quilt with pretty colors on our quilts, but the colors aren’t really visible from afar and are not competing with the overall look of the quilt, until one looks at the quilting close up.  These colors are also perfect for piecing, machine or hand applique — definitely my go-to!  Why limit yourself to using only beige and light brown, or white?!  LIFE’S TOO SHORT!

subtle1-1

subtle2

Today’s installment is about quilting the narrow sashing in between the panel blocks.  I am going to adapt the nifty little S’s (page 52 in my book Stitching Pathways) and elongate them to go to the sashing.  Once you get used to the nifty little S’s, you will find that it is a great go-to, as you can modify the sizes as you wish.  If you want a motif that gives an airy feel and flow, the little S’s are great!

So schematically (shown in my chicken-scratchy sort of way), you would start just quilting the S’s in like waves along the narrow sashing (purple), then you would go back with almost echoing S’, in the opposite direction (pink).  Then, fill in with smaller waves or S’s until you are satisfied with the look (navy).

Quilted in real life.  The really neat thing about this motif is tht the S’s don’t have to be uniformly spaced, so, that takes the pressure off!

And notice I just rounded the S’s off when I ventured into the outer border territory (bottom right).

And there you have it for today’s installment!  Taking domestic machine quilting bite-sized baby steps is the way to go!

Karen and I will be taking next Monday off — but we will back on April 1 to reveal how we have quilted the outer border.  Have a lovely week, and Happy Quilting.

Now, let’s see what Karen has to share with us.  I know it will be something good…  Click HERE to go to Karen’s blog.  Happy Quilting!  See you next time!

Joint Venture with Karen Miller: Mystery Quilt Along – Part 8

Jan 7: Announcement post
Jan 21:  Planning, basting, batting, etc
Jan 28:  Stabilization quilting or just to catch up
Feb 4, Feb 11: Inside center panel
Feb 25: Top and Bottom Rectangles
March 4: Top and Bottom Squares
***March 11: Left and Right Side panels
Mach 18: Narrow Sashing
April 1: Outside (wider) Border
April 8: Binding & Hanging

***

Hello Friends, it’s Monday again — can you believe it?  It’s been busy around here, but all’s well.  I hope things are going well at your end too, especially in the free-motion machine quilting department.  I hope those baby steps have paid off.  Karen and I are having great fun hosting this mystery quilt-along, and we sure have enjoyed seeing your progress pictures.  Keep sharing them!

***

In the event of you might still be gathering your supplies, don’t worry! That’s okay — jump in when you are able to. Click HERE where Karen keeps a list of shops where you can purchase the supplies.

2019c

I have heard positive responses from many regarding my book.  THANK YOU!

You may order my book from:

Connecting Threads

Fox Chapel Publishing

Amazon

or email me for signed copies!

I will be using Aurifli 50 wt threads from my Subtle Strings collection.  You may read more about the collection here, and here.  You may order your collection here for $99.99 (regularly selling for $140)!  The collection is IN STOCK again as of this morning!!!

Meanwhile, you may also order the collection HERE and HERE.

My Subtle Strings colors are specially selected to achieve a subtle contrast effect in the quilting.  That is to say, we get to quilt with pretty colors on our quilts, but the colors aren’t really visible from afar and are not competing with the overall look of the quilt, until one looks at the quilting close up.  These colors are also perfect for piecing, machine or hand applique — definitely my go-to!  Why limit yourself to using only beige and light brown, or white?!  LIFE’S TOO SHORT!

subtle1-1

subtle2

So today’s installment is about quilting the two side panels.  You may use motifs from these pages from my book “Stitching Pathways” to quilt the side panels: 31,38-39, 46-49.  If you aren’t sure about quilting straightaway on fabric, feel free to break out a pad and pencil and practice doodle on paper first, following the “stitching path” I shared in the book.  I have heard from many of you who have found the stitching paths helpful in wrapping your mind on who to go about quilting the different motifs.

I chose a simpler version of the swirly motif on pages 38-39 for the side panels.  I love this motif, and have used it A LOT in my quilts.  I love this motif for the following reasons:

#1.  Swirls are great staples in my domestic machine quilting toolbox.  I wanted to make sure we have a chance to quilt with swirls in our quilt-along project.

#2.  I always tell my students mastering swirls and the variations opens up a whole new adventure of endless possibilities like feather quilting!

#3.  The swirly motif I am using (page 38-39) is a forgiving allover motif — there is not equal-distance echoing, and you can add ornamental bibs and bobs along the way.  It’s probably my favorite free-hand allover motif when I am quilting on a quilt that has busy prints.  Once mastered, you will find that this is QUICK motif to quilt in that you can cover a lot of ground with this motif in a short amount of time.

SO, here are my side panels, quilted.

You will notice that I didn’t quilt the rectangular border around the panels.  The reason I am not quite sure what to do with the border.  So I am keeping that un-quilted for now until I figure out what to do when I bring in quilting for the sashing area.  I have an idea, but I think I am going to mull over it a little more.

I am using the light blue in my Subtle Strings collection — again, you can see the blue isn’t screaming at you.  I always say, subtlety goes a long way! :)

And now it’s time to step back and look at your quilt from a slight distance — the textures, the personalities, the personal style!!!  Remember, quilting is a celebration of YOU!

Alrightie, Friends — I hope you continue to have fun in this mystery quilt along.  Now, let’s go what Karen has to share with us.  I know it will be something good…  Click HERE to go to Karen’s blog.  Happy Quilting!  See you next time!

Joint Venture with Karen Miller: Mystery Quilt Along – Part 7

Jan 7: Announcement post
Jan 21:  Planning, basting, batting, etc
Jan 28:  Stabilization quilting or just to catch up
Feb 4, Feb 11: Inside center panel
Feb 25: Top and Bottom Rectangles
***March 4: Top and Bottom Squares
March 11: Left and Right Side panels
Mach 18: Narrow Sashing
April 1: Outside (wider) Border
April 8: Binding & Hanging

***

It’s Monday, and Happy Monday, Friends!  You know what Monday means >>> we are back at it with our very mysterious machine quilting quilt-along.  I hope you have enjoyed it as much as Karen and I have hosting it.  Karen and I were oohing and aahing over your progress pictures!  Keep connecting with us so that we can celebrate your success and progress!

***

In the event of you might still be gathering your supplies, don’t worry! That’s okay — jump in when you are able to. Click HERE where Karen keeps a list of shops where you can purchase the supplies.

2019c

I have heard positive responses from many regarding my book.  THANK YOU!

You may order my book from:

Connecting Threads

Fox Chapel Publishing

Amazon

or email me for signed copies!

I will be using Aurifli 50 wt threads from my Subtle Strings collection.  You may read more about the collection here, and here.  You may order your collection here for $99.99 (regularly selling for $140)!  The collection is IN STOCK again as of this morning!!!

Meanwhile, you may also order the collection HERE and HERE.

My Subtle Strings colors are specially selected to achieve a subtle contrast effect in the quilting.  That is to say, we get to quilt with pretty colors on our quilts, but the colors aren’t really visible from afar and are not competing with the overall look of the quilt, until one looks at the quilting close up.  These colors are also perfect for piecing, machine or hand applique — definitely my go-to!  Why limit yourself to using only beige and light brown, or white?!  LIFE’S TOO SHORT!

subtle1-1

subtle2

Today’s installment is actually a continuation of what we did last week — the quilting motif I used to quilt the top and bottom rectangles just sort of “spilled” over to the side squares, with using a plate for a marking tool (!).  In case you need to reference the book in addition to the post from last week (click HERE), the pages are: page 17, 50-51, 60-63 and 66.  

So we left off with these last week:

Even though it’s a continuation in quilting motifs, I do want to use today’s post to illustrate an important concept.  Machine quilting does NOT only just add texture to a quilt.  You can also use machine quilting to CREATE THE ILLUSION OF A BLOCK, BETTER YET A BLOCK YOU PROBABLY WOULDN’T NORMALLY PIECE!

Let me explain — so, I “converted” the side squares into drunkard path blocks!  Curve-piecing isn’t quite my forte although I just completed a quilt that has nothing but curve piecing.  But the point is it was really nice I could use machine quilting to create the illusion of curve piecing in the side squares.  HOW COOL IS THAT?

Pretty much for side squares, I outline-quilted the sheep, and continued with the motif used in the top and bottom rectangles.

Top left

Top right

Bottom left

Bottom right

There you have it — if you don’t like to physically piece a certain quilt block, the next option is to see if you could “machine quilt” it into existence! :)

 

Oh, I forgot — I used the pink from my Subtle Strings collection to quilt the side squares.  Notice how the pink on a spool looks strong, but with one strand of thread on the quilt, the pink is just slight, and when quilted on the green, one can hardly tell it is pink.  Subtlety does go along way, doesn’t it?

Alrightie, Friends — I hope you continue to have fun in this mystery quilt along.  Now, let’s go what Karen has to share with us.  I know it will be something good…  Click HERE to go to Karen’s blog.  Happy Quilting!  See you next time!

 

Joint Venture with Karen Miller: Mystery Quilt Along – Part 6

Jan 7: Announcement post
Jan 21:  Planning, basting, batting, etc
Jan 28:  Stabilization quilting or just to catch up
Feb 4, Feb 11: Inside center panel
***Feb 25: Top and Bottom Rectangles
March 4: Top and Bottom Squares
March 11: Left and Right Side panels
Mach 18: Narrow Sashing
March 25: Outside (wider) Border
April 1: Binding & Hanging

***

Hello Friends, Happy Monday, and we are back at it with our very mysterious machine quilting quilt-along.  I hope you have enjoyed it as much as Karen and I have hosting it.  And before I move further, let me just say I am SO proud of the progress some of you have made.  Some have written to tell me they just need to get over the fear… and to be honest, that’s half of the battle!  Good job, ladies!

***

Now, some of you might still be gathering your supplies.  That’s okay — jump in when you are able to. Click HERE where Karen keeps a list of shops where you can purchase the supplies.

2019c

I have heard positive responses from many regarding my book.  THANK YOU!

You may order my book from:

Connecting Threads

Fox Chapel Publishing

Amazon

or email me for signed copies!

I will be using Aurifli 50 wt threads from my Subtle Strings collection.  You may read more about the collection here, and here.  You may order your collection here for $99.99 (regularly selling for $140)!  The collection is IN STOCK again as of this morning!!!

Meanwhile, you may also order the collection HERE and HERE.

My Subtle Strings colors are specially selected to achieve a subtle contrast effect in the quilting.  That is to say, we get to quilt with pretty colors on our quilts, but the colors aren’t really visible from afar and are not competing with the overall look of the quilt, until one looks at the quilting close up.  These colors are also perfect for piecing, machine or hand applique — definitely my go-to!  Why limit yourself to using only beige and light brown, or white?!

subtle1-1

subtle2

***

Today, I will be focusing on using household items as marking tools for guidelines for quilting these top and bottom rectangles we will be tackling in this round of the quilt-along (page 17 in my book Stitching Pathways).  The motifs we will be using are covered in pages 50-51, 60-63 and 66.

And we will give the sheep in the top and bottom rectangles their Kodak moments!

***

BOTTOM RECTANGLE

I started off with the bottom rectangle for no significant reason.  I guess it’s because I walk by it everyday.  But here I was,  using an old 5 1/2″ x 7″ tray to frame the sheep on the rectangle.  I could either have a leveled rectangular frame or a slanted frame drawn around the sheep.

I chose the latter because it looks like the Kodak moment cards people send out.  And I used these colors from my Subtle Strings thread collection for this bottom rectangle.

So, I was all ready to quilt!  My quilt sandwich was already in the throat of the machine, and I started quilting… and I realized the outline of the sheep wasn’t visible enough.  So, I broke out my marking pen right there and then to draw the outline so that I don’t have to guess where I am supposed to go.

It’s reported that famous famous violinist Heifitz once said violin playing is all about keeping everything clear and certain in the head regarding the music.

True words — quilting is like that too… even if it’s unmarked quilting, it’s about keeping things clear in the head.  The skill comes from actually quilting in real life to train the muscle memory in your hands, and in your brain.

So when things aren’t clear to me, I am definitely not too proud to mark! Hehe!  All that to say, on the job marking is perfectly OKAY!

You can see here the sheep is being quilted, and I actually echo-quilted around the outline.

I then moved on to quilting the “frame”.  I actually eye-balled and marked a slightly larger frame around the one I had marked with the tray because I wanted the frame to look more prominent.  Pretty much just more outline quilting.

After the frame is quilted, I added pebbles in the background.  These pebbles are just slightly different than the pebbles I used to quilt the panel center.  I actually quilted around the each pebble several times,, and not really following the previously stitch lines, to give it that poofy effect.  This is a nice exercise for beginners to use just to get use to moving the quilt sandwich, and not necessarily following the lines closely.

TOP RECTANGLE

I continued with the concept using plate or household items to mark the guides for quilting.  This time, I used a salad (8″) and a dinner (10″) plate.  Here you see the result  of my salad plate is traced around the sheep.  You can see that the boundary actually goes a little beyond the rectangular boundary on the top and bottom.  It’s okay.  It actually adds to the final look, I think.

I am sorry I don’t have a picture of the larger dinner traced outside of the salad plate boundary.  Basically the dinner place boundary is traced only within the rectangle, and not beyond.  Hopefully you can see what I mean by that in the final quilted picture below.

I also eyeballed and marked 1/4″ outside of the salad plate boundary for a guide to quilt my pearl necklace.  You can see that I am using the yellow from my Subtle Strings collection to quilt the necklace.

Then I continued with my feather wreath.  The last time I checked, there wasn’t a rule that scowl at disjointed feather wreath.  I quilted the feather wreath within the confines of the rectangle to show you another option to use the feather wreath.  All that to say have fun with customizing your quilting.  In my world, there are no quilt police!  You can also quilt psedo feathers shown in my book on page 66.

The sheep looked so sweet I couldn’t resist quilting a sun in the sky for them.

SO THERE WE HAVE IT — the sheep getting their Kodak moments, domestic machine quilting flavor!  Same rectangles, different looks!

Today, we covered:

#1.  using household items to mark and frame around a scene.

#2.  outline quilting, with a variation of pebbles for background quilting in the bottom rectangle.

#3.  a disjointed feather wreath works just a well to frame scene.

I can’t wait to see how you are quilting your panel.  Email me and/or Karen your progress pictures so we can celebrate with you!

Remember, the more you quilt, the better you will be at it!  I hope you are having the time of your life working on this piece.  I know I have!  See you again next Monday, but not before you check out Karen’s post for today!  Click HERE to go to Karen’s blog.

Joint Venture with Karen Miller: Mystery Quilt Along – Part 5

Jan 7: Announcement post
Jan 21:  Planning, basting, batting, etc
Jan 28:  Stabilization quilting or just to catch up
***Feb 4, Feb 11: Inside center panel
Feb 25: Top and Bottom Rectangles
March 4: Top and Bottom Squares
March 11: Left and Right Side panels
Mach 18: Narrow Sashing
March 25: Outside (wider) Border
April 1: Binding & Hanging

***

Hello Friends, here we are again on our Quilt-Along Monday!  There’s not a new installment because Karen and I know the hustles and bustles of life all too well, and sometimes we just can’t get to quilting like we would like.  The panel center is a relatively large area, so, we though we would give folks a couple of weeks to get that done before we move on to the subsequent sections.  If you missed my post 2 weeks ago on quilting the panel center, here is the link again!

I am starting to see pictures of your work, and have interacted with some of you on your project.  I am so excited to see how you have chosen to customize this panel quilt with quilting.

***

Now, some of you might still be gathering your supplies.  That’s okay — jump in when you are able to. Click HERE where Karen keeps a list of shops where you can purchase the supplies.

2019c

I have heard positive responses from many regarding my book.  THANK YOU!

You may order my book from:

Connecting Threads

Fox Chapel Publishing

Amazon

or email me for signed copies!

I will be using Aurifli 50 wt threads from my Subtle Strings collection.  You may read more about the collection here, and here.  You may order your collection here for $99.99 (regularly selling for $140)!  The collection is IN STOCK again as of this morning!!!

Meanwhile, you may also order the collection HERE and HERE.

My Subtle Strings colors are specially selected to achieve a subtle contrast effect in the quilting.  That is to say, we get to quilt with pretty colors on our quilts, but the colors aren’t really visible from afar and are not competing with the overall look of the quilt, until one looks at the quilting close up.  These colors are also perfect for piecing, machine or hand applique — definitely my go-to!  Why limit yourself to using only beige and light brown, or white?!

subtle1-1

subtle2

So far, here are the Subtle Strings colors I used for the different sections!  It’s a great time to experiment with subtle colors in quilting!  I hope you like subtle contrast quilting as much as I have!  Where the spool is indicates the area quilted with the color.

Since we are on a downtime installment-wise, I thought I would chat with you briefly on quilting results and personality!  One observation that has been consistent from all the free-motion domestic machine quilting classes I have taught is that different quilters will quilt differently the one motif that is being presented.  For example, we would be working on pebbles (pages 50-51), and students will end up with different shapes or sizes for their pebbles.

Last week I shared how our quilting looks is like how our signature looks!  And that solves the mystery why we often end up with different looks when we quilt one motif.  And you know what, THAT is perfectly fine!  Your quilting reflects and celebrates you!!!

***

This week, I want to share a rule I have for my students who take classes with me.  So often, students are alarmed because the quilting they see right at the moment of them quilting isn’t looking so nice!

I get it!  I am the same way!!  When I am quilting, I see the not so perfectly formed curves, or the slight jerk from moving my quilt sandwich too fast — it’s like seeing all the imperfections in real time.  However, I have learned if I just focus on quilting the piece, and not worry so much about the results and come back to look at my quilting later (36-48 hours!), I would have forgotten about all those real time imperfections and would decide that my quilting looks pretty good after all.

SO — always wait 36-48 hours before you decide how your quilting turns out!  

Here is a real life example…. as I quilted this part of the cloud, I thought I made a tactical mistake in placing the spiral here.  Truth is I went a little further than I would like quilting that front spiral.  I call it my wayward spiral.

I thought of ripping out the stitches.  I then reminded myself I should just wait and see…

I waited and looked at it again, and decided it doesn’t look bad after all as a whole.  So, I was 94.7% satisfied with that wayward spiral, and I am okay with it because I didn’t have to take out stitches!

Remember, the more you quilt, the better you will be at it!  I hope you are having the time of your life working on this piece.  I know I have!  See you again next Monday, but not before you check out Karen’s post for today!  Click HERE to go to Karen’s blog.

Joint Venture with Karen Miller: Mystery Quilt Along – Part 4

Jan 7: Announcement post
Jan 21:  Planning, basting, batting, etc
Jan 28:  Stabilization quilting or just to catch up
***Feb 4, Feb 11: Inside center panel
Feb 25: Top and Bottom Rectangles
March 4: Top and Bottom Squares
March 11: Left and Right Side panels
Mach 18: Narrow Sashing
March 25: Outside (wider) Border
April 1: Binding & Hanging

***

Hello Friends, here we are again on our Quilt-Along Monday!  There’s not a new installment because Karen and I know the hustles and bustles of life all too well, and sometimes we just can’t get to quilting like we would like.  The panel center is a relatively large area, so, we though we would give folks a couple week to get that done before we move on to the subsequent sections.  If you missed my post last week on quilting the panel center, here is the link again!

Now, some of you might still be gathering your supplies.  That’s okay — jump in when you are able to. Click HERE where Karen keeps a list of shops where you can purchase the supplies.

2019c

I have heard positive responses from many regarding my book.  THANK YOU!

You may order my book from:

Connecting Threads

Fox Chapel Publishing

Amazon

or email me for signed copies!

I will be using Aurifli 50 wt threads from my Subtle Strings collection.  You may read more about the collection here, and here.  You may order your collection here for $99.99 (regularly selling for $140)!  The collection is IN STOCK again as of this morning!!!

Meanwhile, you may also order the collection HERE and HERE.

My Subtle Strings colors are specially selected to achieve a subtle contrast effect in the quilting.  That is to say, we get to quilt with pretty colors on our quilts, but the colors aren’t really visible from afar and are not competing with the overall look of the quilt, until one looks at the quilting close up.  These colors are also perfect for piecing, machine or hand applique — definitely my go-to!  Why limit yourself to using only beige and light brown, or white?!

subtle1-1

subtle2

So far, here are the Subtle Strings colors I used for the different sections!  It’s a great time to experiment with subtle colors in quilting!  I hope you like subtle contrast quilting as much as I have!  Where the spool is indicates the area quilted with the color.

Since we are on a downtime installment-wise, I thought I would chat with you briefly on quilting results and personality!  One observation that has been consistent from all the free-motion domestic machine quilting classes I have taught is that different quilters will quilt differently the one motif that is being presented.  For example, we would be working on pebbles (pages 50-51), and students will end up with different shapes or sizes for their pebbles.

I always remind my students how our quilting looks is like how our signature looks!  And that solves the mystery why we often end up with different looks when we quilt one motif.  And you know what, THAT is perfectly fine!  Your quilting reflects and celebrates you!!!

Of course, quilting adds personality to a quilt.  If a quilt is quilted with puppies and bone treats, you know that it is a lighthearted quilt, versus a quilt quilted with 1/4″ cross hatches and feather plumes.  I encourage you to find ways to add personalities to the panel as you quilt it.  I quilted “grass” to the face of one of the sheep — to give him (I think of it’s a him!) a  mischievous personality.  Doesn’t he look like he KNEW BETTER than to chew with this mouth open?!

So, let’s try to analyze my personality from how I have quilted the panel center.

#1.  I tend to be OCD on things — especially when it comes to feather quilting.  I see anything and everything as excuses to quilt feathers.

#2.  I can at times major on the minor — from the way I like to keep my quilting dense.

#3.  I like movement with the curves and swirls — I like things to be non-static.

Anything you can deduce about my personality from the quilting?  NOSY and VERY CURIOUS mind would like to know! :)

I hope you are having the time of your life working on this piece.  I know I have!  See you again next Monday, but not before you check out Karen’s post for today!  Click HERE to go to Karen’s blog.

Joint Venture with Karen Miller: Mystery Quilt Along – Part 3

 

Jan 7: Announcement post
Jan 21:  Planning, basting, batting, etc
Jan 28:  Stabilization quilting or just to catch up
***Feb 4, Feb 11: Inside center panel
Feb 25: Top and Bottom Rectangles
March 4: Top and Bottom Squares
March 11: Left and Right Side panels
Mach 18: Narrow Sashing
March 25: Outside (wider) Border
April 1: Binding & Hanging

***

Hello Friends, Happy Monday!  I hope your week got off a great start, and that those of you who lived in last week’s extreme cold have thawed out nicely, and are ready to do some quilting on your machine.

Now, some of you might still be gathering your supplies.  That’s okay — jump in when you are able to. Click HERE where Karen keeps a list of shops where you can purchase the supplies.

2019c

I have heard positive responses from many regarding my book.  THANK YOU!

You may order my book from:

Connecting Threads

Fox Chapel Publishing

Amazon

or email me for signed copies!

I will be using Aurifli 50 wt threads from my Subtle Strings collection.  You may read more about the collection here, and here.  You may order your collection here for $99.99 (regularly selling for $140)!  I saw that some of you have bought up the stock available on Pumpkinvine Corner.  But don’t worry, more has been ordered according to the website.

Meanwhile, you may also order the collection HERE and HERE.

My Subtle Strings colors are specially selected to achieve a subtle contrast effect in the quilting.  That is to say, we get to quilt with pretty colors on our quilts, but the colors aren’t really visible from afar and are not competing with the overall look of the quilt, until one looks at the quilting close up.  These colors are also perfect for piecing, machine or hand applique — definitely my go-to!  Why limit yourself to using only beige and light brown, or white?!

subtle1-1

subtle2

BEFORE WE START, here are the Subtle Strings colors I used for the different sections!  It’s a great time to experiment with subtle colors in quilting!  I hope you like subtle contrast quilting as much as I have!  Where the spool is indicates the area quilted with the color.

FOR TODAY’S INSTALLMENT:

#1,  If you have a needle down function on your machine, USE IT!  That way, when you have to turn your quilt, your needle won’t lose its spot if you have to turn your quilt.

#2.  It’s also time to shelf the walking foot for a little bit!  For the rest of the quilting, I foresee myself only using my free-motion quilting foot.  The far left foot attachment is the one I use, in fact, the ONLY one.

I like to use the open-toe foot because I can see better, and therefore decide where to go from one spot to the next when I am quilting.

#3.  I started off doing outline stitching and some on the sheep — just to warm-up a little.  Here I am showing you a few options.  References from my book: pages 30, 35, 50.

Outline quilting around the fluff – and continue with the echo inside the sheep.

Outline quilting around the fluff and tuft above the head.

Outline quilting in oval shape around sheep.

Outline quilting with swirls in the body.

Outline quilting, and then echo closely a few times around the body.

Outline quilting, and a few pebbles in the body to give a bit of texture.

And you know how quilting adds personality to one’s quilt, I added a bit of a personality to one of the sheep.  CLEARLY, he forgot what his mother has told him NOT to chew with his mouth open!!!

#4.  I then worked on the sky.  I outline quilted and then echoed around the clouds several times.  

Then, I quilted swirls with long tail (like a bean sprout almost).  This is a variation stemmed from the basic swirl in page 35 in my book.

#5.  Next I divided the grass into sections.

Section 1.  I quilted pebbles (page 50) and sand dunes (page 33) in this section.  I love the sand dunes because it’s like echoing without having to worry about the equal distance between the echoes.  It is much more freeing and forgiving.

Section 2.  More sand dunes in this one, except I added pebbles in between the pebbles.  And that’s another reason I like sand dunes because you can add bits and bobs in between the echoes.

Section 3.  This section is quilted with horizontal and vertical lines (not necessarily straight) that make a wavy cross hatch (page 72).  I then go back and fill in alternate boxes with closely quilted lines to make a basketweave effect.  Spot the pink quilting? You can also see the occasional grass sprouting on a couple of the empty squares.  Feel free to add any accents to your liking!

Section 4.  I have to admit, I couldn’t help myself with the feather quilting!  I quilted the foreground of the panel center with feathers.  Once you are comfortable doodling feathers (pages 54-59), you could mark your feathers on the quilt itself and quilt by following the line…. OR you may mark the spines of the feather plume as a guide on your quilt, and free-hand quilt your feathers (page 79).

I was so proud of my students in my De-mystifying Feather Quilting Class last week at Road to CA, who were able to free-hand quilt their feathers, having NO prior feather quilting experience, and AFTER learning the basics of feather quilting well.

AND THERE YOU HAVE IT, for today’s installment!  You noticed how the colors I used in the quilting don’t jump out at you?  That’s the beauty of subtle contrast in quilting!

It might look like it is a lot to quilt the panel center, but wait, you actually get to quilt the panel center over the next three weeks!  I will still check in the next two Mondays.  The next installment isn’t till Feb 25.

I timed myself.  The panel center took me about 4 1/2″ hours of solid quilting.  But it’s all good fun.

However, if all this is overwhelming to you. Tackle one section at a time.  Even if you have to mark on your quilt before you quilt with a washable fabric marker, it is ALRIGHT!  I use either a Frixion Pen or this blue marker.

***

Remember, BABY STEPS!

NOW, I wonder what Karen has done …. remember, it’s ALL a mystery between the two of us!!!  I am heading on to her blog to see what she has been up to.  Click HERE to go to Karen’s blog.

See you next week!

My stop — Splendid Sampler 2 Quilt Along

Hello Friends!  I hope you who are in the northern hemisphere are keeping yourself safe and warm!  It’s amazing to hear some of the wind chills experienced by some in the country!  Anyhow, I hope you have had a great week.  I got home on Sunday night, and jumped straight back to work the next day in my quest to check off things on my long list.

Cover art

Many of you have joined in the fun Splendid Sampler quilt along, hosted by Pat Sloan and Jane Davidson!  You probably already know of the reprise in Splendid Sampler 2.  I am so excited to share with you that I am one of the Splendid Sampler designers!!

#1.  Click here if you haven’t known about Splendid Sampler 2 to read more about it.

#2.  Click here If you would like to order the Splendid Sampler 2 book that has instructions and templates included in this quilt along,

And TODAY is my turn to share about my Snail and Pail block!  This block is what you’d see in the book.

This original block is inspired by Miss Baby’s beloved watering can she has had for years.  And here is the block I made for my Splendid Sampler quilt.  This quilt is actually for Miss Baby, thus the monogrammed G on the watering can.

I used the embroidery floss from Miss Baby’s Spool-en-dids floss collection to add the embroidery on the block.  Click here if you would like to read about the collection.  You may purchase the collection here.

Have you seen some of the other Splendid Sampler 2 blocks I have made for the quilt?  I have documented all the blocks on my Instragram account under ivory_spring.  Follow me on Instagram to follow along my Splendid Sampler 2 progress. Fabrics are Uppercase Vol.2 by Windham Fabrics.  Click here to view fabrics.

Back to Snail and Pail… I also used the design to make a 10″ x 10″ mini quilt!  I am using it to show that you can place the snail WHEREVER you wish!  Fabrics are Forest Gifts by Michael Miller. Click here to view fabrics.

This picture shows the quilting I did over Hobbs Tuscany Wool batting.  I taught machine quilting all week last week at Road to CA — I was more then ready to do some quilting myself after I got home.

A quick note on the blanket stitches I do around my fusible applique shapes.  I like the buttonhole/blanket stitches small.  You may read more about how I do the stitching here.

 

Does this Quilt-Along look fun to you?  It is SUPER FUN — trust me!  I like, with the book, that I am able to make the blocks at my own pace.  And the blocks are so versatile I can easily add my own spin to them.  AND the best part is that I am able to see what others have made their blocks on social media sites.  If you haven’t joined, you know you want to!!!

***

For those who are participating in the Quilt Along, and have actually make the blocks — comment to enter the giveaway of a copy of my book below.  Make sure you indicate in your comment that you have actually make the block(s).  I am interested to know which is your favorite block so far!  This giveaway relies on the honor system — again, ONLY open to Splendid Sampler 2 participants!

CreativeNewQuilts&Projects

I will announce the winner next Thursday (Feb 7, 2019).

That’s all for now, my quilting friends!  Chat with you again soon!

p.s.  I came across a fun article on beginning quilting that would make a great resource for any quilts.  Check it out here.

Joint Venture with Karen Miller: Mystery Quilt Along – Part 2

Jan 7: Announcement post
Jan 21:  Planning, basting, batting, etc
***Jan 28:  Stabilization quilting or just to catch up
Feb 4, Feb 11: Inside center panel
Feb 25: Top and Bottom Rectangles
March 4: Top and Bottom Squares
March 11: Left and Right Side panels
Mach 18: Narrow Sashing
March 25: Outside (wider) Border
April 1: Binding & Hanging

***

Hello Friends, I just spent a better of last week at Road to CA show.  It was a fun show making new friends, and sharing the love of domestic machine and feather quilting with my new friends!

I even met some who already heard about our Mystery Quilt Along, and for those heard about it from me at the show, they were excited.  So, today is another minimally demanding day for those who already sandwiched their quilt.  Some might just now be getting their supplies in the mail.  All’s good — you just catch up whenever you are able.  If you are just now joining, click on the previous dates above for more information.

Now, I have heard that certain shops sold out of the panel, click HERE where Karen keeps a list of shops where you can purchase the supplies.

2019c

You may order my book from:

Connecting Threads

Fox Chapel Publishing

Amazon

or email me for signed copies!

I will be using Aurifli 50 wt threads from my Subtle Strings collection.  You may read more about the collection here, and here.  You may order your collection here for $99.99 (regularly selling for $140)!

subtle1-1

subtle2

FOR TODAY’S INSTALLMENT:

#1,  If you have a needle down function on your machine, USE IT!  That way, when you have to turn your quilt, your needle won’t lose its spot if you have to turn your quilt.

#2.  We are stitching straight lines.  So, you have the option of using your walking foot, or  your dual feed foot.  Both feet ensure all layers are moved at the same time!  Please note that your walking or dual feed foot might not look exactly as what I have.  If you have any doubt, please reach out to your local machine dealer for help.  I learn so much from my machine dealer.

 

 

Today, we are going to stabilize our quilt sandwich.  I try to stabilize, but not over-stabilize, my quilt sandwich by first stitching down the edge of the quilt.  I stitch very close to the edge of quilt top just to anchor my quilt top so I don’t have to deal with “loose leaves” so to speak with the quilt top, batting and quilt back.  It’s totally fine if you don’t catch all of the fabric edge.

If you have a needle down function on your machine, USE IT!  That way, when you have to turn your quilt, your needle won’t lose its spot if you have to turn your quilt.

One of my tips I share in my book Stitching Pathways is instead of using the quilting foot as a guide, watch your needle to see where it lands to ensure accurate stitching.  A student of mine told me in one of the classes I taught at Road to CA this past week, that tip was the game changer for her.  So, in order for you to practice that, we will stitching around the large center of the panel where the dotted boundary is.  Try to stitch slow, and keep your eye to the needle.

So the previous image also illustrate a very important point — if you see any basting pins that are too close to your needle ensemble, go ahead and remove the pin before you stitch.  That will keep the pin from catching the needle ensemble and produce poor quality stitches.  Generally, I leave my stitching area about 3″ around and all all sides my needle clear  of any obstacles (basting pins).  So in real, before I quilt any further, I would go ahead and remove that basting pin.

So there you have it, for today!  

qal13

Now a quick note on starting and stopping…. I like to pull up my bobbin thread before I start.  You can do that by rotating the hand wheel, and tugging on the top thread.  Once you have the bobbin thread up, you will have two thread tails on the quilt top.  I hold on to the tails, and take a few small stitches (if it’s with feed dog, I just reduce the stitch length) before I quilt normal.  To stop, I will reduce the stitch length of my stitches as well.  This time, I will only have the top thread on top.  So, after those mini stitches, I will have my needle up, pull my quilt sandwich out from the needle, and cut off enough top and bottom thread to have tails, and then, I bury all the tails into the quilt batting.

To get us ready for next week — when we get to the actual quilting part, WOOHOO — you might do some practice quilting on a practice piece using my Stitching Pathways book, specifically the motifs covered in pages 30, 32, 33, 50 and 52.  I think I am going to add a bit of feathering in there too.  Feathers are covered in pages 55-66.  

In today’s baby step, we stabilized our quilt for stress-free quilting on the machine later.

NOW, I wonder what Karen has done …. remember, it’s ALL a mystery between the two of us!!!  I am heading on to her blog to see what she has been up to.  Click HERE to go to Karen’s blog.

I CAN’T WAIT TO SHARE WITH YOU NEXT WEEK HOW I AM QUILTING THE PANEL CENTER NEXT WEEK — SEE YOU NEXT MONDAY!