Logged: 6 hours

Good day, everyone!  A quickie to show you the progress on my “Spanning Three Centuries” quilt.  So far, 6 hours have gone into the quilting:




I wish you all a wonderful weekend!  See you next week!

Back to feather quilting

I am still waiting for fabrics to come in for my upcoming magazine quilts. That means, I have some time to work on my “Spanning Three Centuries” wholecloth quilt. One of these days, I will get it done…


Truth be known, this is a practice quilt. I want to eventually re-do the entire quilt in some kind of silky fabric.

Alrightie, my friends, back to my sewing machine. I hope you have a wonderful weekend! See you next week!

“Where they make the sausage” and News!

Hello Everyone,  I hope that you have had a great weekend.   I also hope that your Monday is going to be a GREAT one! :)

I did get to squeeze in a few stitches on my “Spanning three centuries” wholecloth quilt.  I am logging the time and see how long it takes me to finish this quilt.  So far I have logged about 5 hours.  I am always surprised how fast time passes by whenever I do feather quilting.  Here is the first “where they make the sausage” picture – nothing fancy.  As you can see, the markings are still there, threads aren’t buried into the quilt batt, no background quilting to fill in the negative space…

All this is brought to you and made possible by the Bernina Stitch Regulator:

Other news — stay tuned for some new patterns coming out in a couple of months using new fabric collections.  I am showing you sneak peek of two patterns:

Feathers from Paper to Fabric

During my “off-season” where I don’t have any pressing deadlines, I have been dabbling in a wholecloth that seeks to reproduce a bed-sized Calamanco quilt that was made in 1800 in America by an unknown quilter, at a smaller scale.

[Calamanco (also spelled calimanco) is a sturdy glazed fabric which was popular in Britain and America during the 18th and 19th Centuries, and which gave its name to quilts made from it. The name comes from a Spanish term for worsted (long fiber wool).  The glaze (or sheen) was produced by rubbing the cloth with a stone, or by applying egg white or wax to the surface.]                                   ~from www.historyofquilts.com

Armed with only a picture of the quilt, I set out to draw the design onto a nice weight vellum sheet.  Then I came across a picture in another book with a beautiful feather border,  also by an unknown quilter in 1930.  So, I added that border to surround the Calamanco design.  Lastly, I added my own designed feather border to cap off the overall design.  Thus it is a wholecloth quilt with designs spanning three centuries.

I finally got the whole quilt top pinned — you can see the sea of pins in these snippets!

Vellum was used so that I can easily transfer the design onto the fabric using a lightbox which my mentor Barbara has graciously loaned me.  It took me 15 hours to just do the transfer!!!

I am hoping I would be able to squeeze in a few stitches on this baby before the weekend is upon us.   Of course, I will update you with the progress with pictures as I work on this quilt inch by inch!  I hope to also show you the original pictures later from the books if my camera is able to capture them nicely.

I am thankful to those who have preserved these quilts.  I only wish we had better documentations of these blessed ladies who had produced such masterpieces for us to appreciate and enjoy.  Your mind goes, “The moral story is…. ?” Oh, you mean, what is the moral story of all this?  I guess, as my quilt teacher Barbara always insists — ALWAYS ATTACH A QUILT LABEL TO A COMPLETED QUILT!